Do you still remember the lullaby your mother or caregiver
sang as they cradled you to sleep? Those cherished melodies hold the essence of
childhood memories within their gentle strains, embodying the timeless bond
between a nurturer and their child.
Himig Himbing: Mga Heleng Atin, an institutional project of
the Cultural Center of the Philippines (CCP), invites Filipino people to
reminisce and reconnect with the beloved heles that resonate with many, evoking
nostalgia and fostering a deeper connection to their roots.
With its strong commitment to conserving and revitalizing
Philippine cultures and traditions, CCP adopts a multifaceted approach to
reintroducing indigenous lullabies to contemporary audiences and nurturing a
deep appreciation for Philippine songs and hele.
First launched in 2022, Himig Himbing has emerged as a
transformative force in the local music landscape, emphasizing both indigenous
and contemporary Filipino music. The project aims to strengthen cultural
identity, connect artists with audiences, and create a vibrant community
centered on the nation’s rich musical heritage.
Moving beyond preservation, Himig Himbing encourages
cultural innovation by blending traditional music with contemporary styles,
producing music videos that resonate with modern audiences while maintaining
the cultural context of the lullabies.
To foster a deeper understanding of Filipino folk music and
hele, and to create a sense of national identity, pride, and connection to
Filipino heritage – especially among younger generations – the CCP has toured
the project to various parts of the country, starting with Pangasinan and
Antique.
“Maaari nating ibalik ang mga hele na ito na maging bahagi
ng ating pang-araw-araw na buhay nang sa gayon ay lalo pa nating makilala ang
ating mga sarili bilang Pilipino,” said CCP artistic director Dennis N.
Marasigan during the launch at the University of Antique located in the
suburban Sibalom.
For its Visayas leg, the CCP, through its Arts Education
Department, partnered with the Office of Senator Loren Legarda, the National
Commission for Culture and the Arts (NCCA), the Office of Congressman Antonio
B. Legarda, Jr., and the University of Antique (UA) to launch “Himig Himbing:
Ang Mga Ambahanun Natun.”
“Sama-sama nating pangalagaan ang yaman ng ating nakaraan at
ng ating kultura bilang mga Pilipino,” said Senator Loren Legarda in a video
message, emphasizing the responsibility of every Filipino to preserve and
promote Philippine indigenous cultures.
The Antique launch featured a series of performances,
including a joint rendition of the Bicolano lullaby Katurog Na Nonoy by
award-winning guitarist Ivar Nicholas Fojas and dancer Sophia Ailsa Maunahan.
Performing artist Arsela Labajo delivered a heartfelt rendition of Dandansoy, a
lullaby rooted in Antique.
Homegrown talents from the University Dance Ensemble,
Bachelor of Physical Education (BPED) Hublag Icons, and UA Chorale also
performed, with soloists Kris Kyler Mission Esposo and Elizabeth Joy Santiago
Guerra singing Hele.
UA Chief Administrative Officer Reiner Paul Teologo
expressed gratitude for being part of the project, noting that this is the
first time national institutions such as CCP and NCCA have collaborated with
the state university to implement their mandate of preserving and promoting
Philippine arts and culture.
The team behind Himig Himbing, including Marasigan, Arts
Education Department head Eva Mari Salvador, project lead Lino Matalang Jr.,
ethnomusicologist Sol Trinidad, with Rep. AA Legarda provided copies of the
Himig Himbing book to the UA Library, received by its librarian Armila Serato
and chief administrative officer Reiner Paul P. Teologo.
The highlight of the launch was the special screening of
selected Himig Himbing music videos featuring the Bicolano lullaby Katurog Na
Nonoy, the traditional Kalinga lullaby Wiyawi, the Visayan lullaby Ili, Ili,
Tulog Anay, Bata Alimahi, and Dandansoy, among others.
Filmmaker Arden Rod Condez, a native of Antique, remarked:
“It is always special to bring my films to my hometown. Seeing my kasimanwas
react to the films I’ve made is always rewarding. My music video for Himig
Himbing’s Bata Alimahi is no exception. The song, despite its somewhat painful
lyrics, is danceable. Seeing the audience bob their heads to it made me smile.
I hope it sparks their interest in discovering more lullabies from other
regions and unearthing additional songs from our place, aside from Ili-ili
Tulog Anay and Dandansoy.”
Feedback from attendees indicated a strong appreciation for
the project, with one audience member noting, “It is amazing to hear how
traditional melodies can be reimagined in new ways. With music videos
complementing the lullabies, they help us connect with the songs easily and
appreciate our heritage more.”
The project does not solely revolve around performances; it
also serves as a platform for mentorship and arts education for art-track
educators, student teachers, and community members. Over 150 workshop
participants engaged in back-to-back workshops before the big launch.
During the Rumorolyong Himig: Film Workshop, Cinemalaya
director Jonathan Jurilla shared his insights and creative processes with
approximately 50 film enthusiasts, emphasizing that the visual voice should be
based on truth and reality, with deep respect for cultures and traditions.
The Himig Himbing at Ako: Creative Expression Workshop,
co-conducted by book illustrator Beth Parrocha, ethnomusicologist Trinidad, and
medical practitioner-children’s book author Dr. Luis Gatmaitan, immersed
participants in self-expression and creativity through arts and music.
The CCP elevated the arts education component to new heights
with Himig Himbing extending its engagement beyond individual artists to
include students in various aspects of the production.
“Students were actively involved in the production team,
gaining valuable hands-on experience in technical theater and production
assistance. Additionally, we integrated them into front-of-house duties,
providing mentorship in ushering (including onstage escorting assignments) and
audience management, further enriching their educational experience,” said CCP
associate director Ariel S. Yonzon.
Through this launch, the CCP created a vibrant space for
cultural exchanges and arts education. “This grassroots involvement not only
helps preserve traditional music but also strengthens community ties. We engage
universities, particularly mentors and teachers, because of its multiplier
effect in educating our youth about our cultures. Through this outreach
approach, we hope to contribute to a thriving cultural ecosystem that supports
artistic expression and community engagement,” said Salvador.
With the positive reception of the project and a strong call
for continuity in arts education initiatives, the CCP hopes to bring Himig
Himbing to other regions in the country, illustrating how arts education can
play a transformative role in personal and communal self-understanding.
The Cultural Center of the Philippines is well-positioned to
continue its vital mission of promoting arts education, recognizing its
profound role in cultural preservation and community empowerment. By building
on the success of initiatives such as Himig Himbing, the CCP can help shape a
vibrant and culturally rich future for the Philippines.
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