Akini Jing Releases New Single and Video ‘Black Widow'
Multidimensional
creator and performing artist Akini Jing releases her new
single and accompanying video for ‘Black Widow’, out now via 88rising.
The track is the second lifted from Jing’s highly anticipated album VILLIAN,
coming early 2024.
Following the release of last month’s electronic infused ‘Call Me Shadow’,
Akini continues to showcase her unprecedented musical expression of Wuxia as
she transforms the traditional literary and film genre into new single, ‘Black
Widow’. The track’s unpredictable sonic arrangement sees Akini combine
beautiful orchestral string and piano sections with an invigorating footwork
beat and kung fu textures. Effortlessly shifting between English and Mandarin,
Akini’s lyrics vividly illustrate an intense martial arts fight sequence and an
ill-fated romance to create a truly unique track.
Speaking about the new single ‘Black Widow’ and video, Akini Jing said: “Black Widow is the second character I am introducing from my new wuxia concept album "VILLAIN." She is a fierce, eccentric antagonist with an innocent inner nature, despite her reputation for cruelty.
As I crafted this character, I underwent rich internal changes, constantly sensing her emotional shifts. In terms of music production, this song is entirely original, without reference or rules, and I thoroughly enjoyed the creative process.”
Speaking about her upcoming album VILLAIN, Akini Jing added: “‘all the songs on my VILLAIN album are heavily inspired by the Chinese genre of Wuxia. The aesthetic influence is obvious, but what really drew me to Wuxia is the nature of the characters - they are people who are devoted to, and live by, very high ideals. But at the same time, they are constantly limited by their own humanness. For one reason or another, both heroes and villains find themselves falling short or getting distracted from their goals. Aren't we the same? Our spirit may be high but our lives can be low. This is the essence of ‘jianghu’, which is a Chinese word that describes people on the fringe of society, who live by their own code.
I was fascinated by this tension between ideals and reality, and wanted to find a way to express this centuries-old genre in a new way. The result is an interesting combination of traditional Chinese instruments with electronic sub genres such as techno, two-step and deconstructed club, which I think represents the Chinese underground scene as it is today.”
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